About
The Distance of Blue is an online exhibition pavilion curated by Ping Ho as part of The Wrong Biennale 7th Edition
The Distance of Blue is an online exhibition pavilion curated by Ping Ho as part of The Wrong Biennale 7th Edition (Nov 1, 2025 – Mar 31, 2026). The exhibition explores the ocean as a metaphor for longing, displacement, and transformation—drawing inspiration from Rebecca Solnit's idea of The Blue of Distance. Bringing together artists working with digital media, AI, and imagery, the pavilion reflects on how blue, both color and concept, embodies the tension between the visible and the invisible, the near and the far. It invites viewers to drift across screens as if over water, encountering works that question the boundaries of place, memory, and connection in our increasingly fluid digital world.
The Distance of Blue brings together 50 works from 49 artists around the world, including Adrian Sorin Sinescu, Alexandra Light, Andrey Berger, BAKUDI SCREAM, blanche the vidiot (Szabina Péter, Kristóf János Bodnár), Bodini, castroduperly + madison mae parker, Chen-Yi Wu, Durdija Vucinic, EJ Lee, emily d'achiardi, Enrico Dedin, erica shires, F. C. Zuke, forevermidi.com, Gia Abucejo, GoodBytes, gordon fung, Harper Austin, Hengyi Tong, Hesam, HWIY, Iikkamatti Hauru, Iza Koczanowska, Jamey Hart, Jiaqi Liu, Julie Derbyshire, Keithlyn Steter Alves, Kim, Jung Soo, mattia benedetti, Mizuho Nishioka, Omnia Sol, Pao Chutijirawong, Pavel Malakhov, Philip Ringler, Rachel Jungeun Oh, RAMON DE BENITO, Robin Moedder, Shaun Hu, Shenghan Gao, Sohyun Lee, Stephen Roddy, stochastic reverie, The Landscape is Dead, Tzuen Wu (Theo), Valkyrie Yao, Vera Gailis, yiyisogreen, zilion.
The Wrong Biennale is a decentralized art event that connects artists, curators, institutions, and audiences across the globe through a vast network of exhibitions presented both online and offline. Since its inception, it has served as one of the largest and most accessible art platforms worldwide, challenging traditional exhibition models by fostering collaboration through digital spaces.
The 7th edition (Nov 1, 2025 – Mar 31, 2026) focuses on the creative and critical potential of Artificial Intelligence, exploring how machine learning reshapes artistic production, perception, and dialogue. This edition invites participants to navigate the shifting intersections between technology and creativity, examining how AI can become both a tool and a mirror for human imagination.
Pavilions (online) and embassies (offline) form the structure of The Wrong Biennale. A pavilion is an online exhibition hosted by an artist, curator, collective, or institution, featuring ten or more artists. Each pavilion contributes to a collective experiment in rethinking art's digital presence, creating an expansive, borderless exhibition that exists entirely in the networked realm.
About This Website
Developed by Yueh-Han Huang in collaboration with curator Ping Ho, this website is both a digital exhibition space and a conceptual extension of The Distance of Blue. The design integrates the visual and poetic language of the ocean—its movement, light, and shifting boundaries. The background visual is taken at the Lido Key Beach (Sarasota, Florida) by Ping Ho.
Yueh‑Han Huang is a New York–based designer and developer who treats the web as a canvas—alive, evolving, and open to experimentation. He believes the web is still evolving, and more creativity and expression will emerge as long as people keep trying and experimenting.
Terms
All artworks, images, videos, sound works, texts, and materials presented on this website are the intellectual property of their respective artists and contributors. No part of this exhibition—including artworks, concepts, or visual materials—may be reproduced, downloaded, copied, distributed, or used for any commercial or non-commercial purpose without prior written consent from the artist(s) and curator.
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